Acha Din is quite a disappointment as it lacks depth, even though it deals with a serious subject.
Karinkunnam 6s may lack the depth to be a great film but it's worth a watch, says Paresh C Palicha.
Mammootty's fans will be happy with his performance, beginning with comedy, then moving to superhero action and culminating in emotionally intense scenes. But good acting is not enough to make up for a vapid plot and content.
Even super star Mohanlal can't salvage the disaster that is Malayalam film Rasam, says Paresh C Palicha.
Vettah is not as satisfying as promised, feels Paresh C Palicha.
The humour in Rockstar waters down the impact of some of the serious issues being raised, writes Paresh C Palicha.
Sathyan Anthikad sticks to formula in Jomonte Suvisheshangal.
Saptamasree Taskaraha is an enjoyable comic thriller, says Paresh C Palicha.
Rima Kallingal and Manju Warrier give powerhouse performances in Rani Padmini, raves Paresh C Palicha.
The director works as if he has a magic wand that makes this theme -- which is not exactly fresh -- engaging, raves Paresh C Palicha.
Pathemaari brings Mammootty back to his brilliant form, writes Paresh C Palicha.
There are elaborate court scenes in Paavada that test our patience for two and a half hours, writes Paresh C Palicha.
'Seeing the characters you had conceived come alive, saying the lines you had written for them... or the actor giving it a totally different meaning from what you had originally thought... is unbelievable!' Sreebala K Menon tells Paresh C Palicha.
The film fails to live up to Shobhana's standards.
The social comment in Sanalkumar Sasidharan's Ozhivudivasathe Kali could well make it a success at the box office, feels Paresh C Palicha.
The premise of the film may be very old but the sincere effort of the entire cast makes it watchable, writes Paresh C Palicha.
Malayalam film Mariyam Mukku has a wafer-thin plot, says Paresh C Palicha.
Serving a bitter pill dipped in sweetener may look good on paper but in Salt Mango Tree, the taste is disproportional, writes Paresh C Palicha.
Balachandra Menon has lost his touch with Njan Samvidhanam Cheyyum, writes Paresh C Palicha.
Paresh C Palicha recommends Anuraga Karikkinvellam.
On the whole, the film turns out to be a heartless adventure.
Love 24x7 is a promising debut by Sreebala K Menon.
Sringaravelan plot's wanders on aimlessly with no logic. You just have to go with the flow of the comedy, which gets quite boring towards the end.
There is nothing new in the film and it is the effort the actors put in that helps the film from sinking totally.
The film truly sticks to it's title.
Fahaad Fasil tries too hard to prove a point with his acting.
Haram loses its steam quite early, says Paresh C Palicha.
Fireman's aim seems to be glorifying the image of superstar Mammootty, writes Paresh C Palicha.
You will enjoy 2 Countries only if you're a Dileep fan, says Paresh C Palicha.
Welcome to Central Jail is a typical Dileep film, which may go down well with his fans, feels Paresh C Palicha.
North 24 Kaatham is a sure winner for Fahadh Faasil.
Oppam is a must watch, raves Paresh C Palicha.
Director Shyamaprasad's Artist is one of his best works till date.
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Prithviraj does his best to look sincere and real in Memories which is otherwise an average story.
It feels as if Adoor Gopalakrishnan has targeted Pinneyum to be a commercial success, feels Paresh C Palicha.
Kanal turns out to be an average effort even though Mohanlal does his best to salvage it, says Paresh C Palicha.
Nayana has some interesting performances but it is only in the second half that we come to the real story.
The storyline sounds simple and thin but the way it is presented makes Ithihasa worth watching.
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